Could you talk about Blowzabella? How did you encounter them, and then join?
|Andy Cutting with Blowzabella|
This wasn't your first time playing French and European music, was it?
As far as the European repertoire goes. I hadn't really heard any until I was given a Castagnari catalogue which had photos of their range of instruments surrounded by LP's made by people playing their instruments. I used these pictures to track down some of the records. Most notably Riccardo Tesi, Marc Perrone, and La Ciapa Rusa. It was just the catalyst I needed.
The Vanilla recording really made quite the impact, what elements do you think came together to make that such a vibrant piece of work?
When we recorded Vanilla the band had spent a year with the new line up, and we had played a lot of concerts so we were a really cohesive unit. Both socially and musically. Once in the studio we just got on and did the best we could. Recording the hurdy-gurdy (Nigel Eaton), bass/cittern (Ian Luff) and box live, then building the track up from that. It was a residential studio so we were all together with no real distractions. A very enjoyable time for me.
Could you talk about the vision of the group? The focused/multi-cultural, complex/simple, thoughtful/intuitive blend?
As a band. Blowzabella doesn't really fit into any of the folk genres. We have always just ploughed our own furrow. The band started off playing bagpipe and hurdy-gurdy music from wherever they could find it. Since then we have written more and more of our own music so now it is almost entirely self composed English dance music. Well. Our hurdy-gurdy player (Gregory Jolivet) is French so he is having an influence on our repertoire now. Which is great. I like things to evolve.
With the recent work (Octomento), and work I've seen from you and Gregory Jolivet, it feels as if a kind of renaissance is happening for Blowzabella. Is that accurate? Or just wishful thinking on my part?
With Greg and Barnaby Stradling (bass) they have bought a new energy to us all. We are starting to play a bit more and are working on a new record. It is also our 35th anniversary this year. I suppose with all that there is more media interest and so people are being reminded that the band is still a going concern. If that's a renaissance, then, yes I suppose that it whats happening.
Next: The Andy Cutting/Chris Wood partnership.