Twelve years ago, for me, Jacques Lavergne was a name on a cassette at the Button Box, bought in the same stack as Frédéric Paris' Carnet de Bal. Driving home from Amherst, a beginning accordionist, I popped in Lavergne's Cadences d'Auvergne and was blown away.
Jacques Lavernge, L'Aurriacoise
As this waltz demonstrates, Cadences d'Auvergne -- put out by the Agencies des Musique des Territoires d'Auvergne (AMTA) -- is a solo accordion recording that presents a very traditional Auvergne repertoire played in a very unique way. Striking melodic playing is backed up not by the usual bass-chord-chord but by right-hand chordings and double-stops. Also, dig the foot tapping in the background. Such precision amid the flourish! So intriguing, I spent that trip with my jaw dropped wondering, "How does he do that?"
Jacques Lavergne, Marche de Noce de Valmier-Polka du Lot
cross chords. In other words, he really was doing things on his box that I could not do on a two-row box. Fair enough! But the philosophy behind his playing, creating settings that were harmonically and rhythmically intricate really did foreshadow his music with Compagnie Léon Larchet, with its focus on drama and story. Also, there's no denying his technical facility and artistry. Jac (Jacques) Lavergne inspired me greatly. He is a master. Under appreciated, I think. Every accordionist should hear him.
Lavergne's recent output is available through the Compagnie Léon Larchet web site, either as CDs or downloads. Cadences d'Auvergne is criminally out of print, though recordings of it can be gotten at Mitch Gordon Music.